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The other man turned on him angrily. "Who'll find it?" he retorted. "Don't be a fool, Jack. You couldn't pull anybody to that place with a loggin' chain. It's the safest spot in the world to hide the stuff, I tell ye. Besides, the boat orter be in in a few days, and we kin slip the stuff to Cap. Jacques without the boss ever knowin' how far we've exceeded his orders.",

"Me hands are a bit unsteady," said Harry, quickly. "We'll l'ave the light be as ut is, Billy.",

"Sit ye down, lads, sit ye down," cried the hospitable Harry. "Begobs, but it's a fine brace av byes ye are, an' no mistake. Wull ye be afther suppin' a bit wid me? The repast is all but spread an' it's full welcome ye are, both.",

He seemed convinced by these enquiries at the wharves that at all events Mr Lawrence could have had nothing whatever to do with the communication which Mr Adams had seen Paul place in the hands of Miss Lucy. Who, then, was the sender of the note, and how was it that Paul, who should have been on board his ship since she was on the eve of sailing, should have been engaged to carry the letter? There was really no particular reason why the writer should be a man. Why should not she be a woman? She might even be[Pg 196] a relative of the fellow Paul. Lucy was a girl of singular kindness, who was always helping others and going amongst the poor and ministering to the afflicted; and though Captain Acton could not positively say, he might readily believe that she had one or two or three poor sufferers on her list whom she saw to and helped with her purse, and one of these—possibly a woman—might have written the letter in a moment of urgency intending it for delivery at Old Harbour House.

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"Dad says not," the other boy replied.,

He was Mr Walter Lawrence, a son of Admiral Lawrence, and down to a recent period a lieutenant in the Royal Navy. He was something over thirty years of age, but drink, dissipation, the hard life of the sea and some fever which had got into his blood and proved intermittent, had worked in his face like time, and he might have passed for any age between thirty-five and forty-five. Nevertheless he was an extremely handsome man, of the classic Greek type in lineament, but improved, at least to the British eye, by the Saxon colouring of hair, skin, and eyes. His teeth were extraordinarily white and good for a sailor who had lived on gun-room fare in times when the ship's biscuit was flint, and the peas which rolled about in the discoloured hot water called soup, fit only for loading a blunderbuss with to shoot men dead. His eyes told their tale of drink, but they were large and fine and spirited; his light brown hair, according to the fashion of[Pg 39] the age, was combed down his back and lay in a rope-shaped tail there. He wore a wide-brimmed round hat, and his attire, a little the worse for wear, consisted of a blue coat, white waistcoat, sage-green kerseymere breeches, and, needless to say, the cravat was high and full. He stood about six feet, his figure was extremely well proportioned, and in addition to these merits his carriage had the easy elegance which the flow of the billow and the heave of the deck infuse into all human figures not radically vile and deformed. His voice was soft, winning, and somewhat plaintive, and no man, whether on or off the stage, not even Incledon, sang a song with more exquisite feeling and sweeter sincerity of passion.,

It was as Captain Acton said: the Saucy brig-of-war was getting under weigh, and it might be safely concluded for no other purpose than to exercise the crew by an off-shore trip. Captain Acton and the two ladies stood watching the little toy figure away down in the river's mouth. Sail was made with man-of-war despatch; all the clews were sheeted home together, the yards at the same time mounting, so that all at once it seemed the little vessel broke into a broad, bright, shapely glare of canvas, slightly leaning from the breeze as she softly crept round and pointed her bowsprit seaward, and whitening the water under her with the power of a floating body of radiance.,

"What you talkin' 'bout, Bill? What thing? Who's it been clawin'? Hurry up, tell me."